Category: dsp

Some synthesizer sounds are just catchy, but some of them are genre-defining. We think you could make that case for the Roland JP-8000 patch “Sandstorm”, which you’ve heard if you listened to any trance from the 90’s, but especially the song that was named after it. “Sandstorm” is powered by the Roland Supersaw, and synth […]
The MP3 file type has been around for so long, and is supported by essentially all modern media software and hardware, that it might be surprising to some to learn that it’s actually a proprietary format. Developed in the late 80s and early 90s, it rose to prominence during the Napster/Limewire era of the early […]
In previous installments of DSP Spreadsheet, we’ve looked at generating signals, mixing them, and filtering them. If you start trying to work with DSP, though, you’ll find a topic that always rears its head: IQ signals. It turns out, these aren’t as hard as they appear at first and, as usual, we’ll tackle them in […]
Circuit simulation and software workbooks like Matlab and Jupyter are great for being able to build things without a lot of overhead. But these all have some learning curve and often use clever tricks, abstractions, or library calls to obscure what’s really happening. Sometimes it is clearer to build math models in a spreadsheet. You […]
There’s an old saying: Tell me and I forget, teach me and I may remember, involve me and I learn. I’m guilty of this in a big way — I was never much on classroom learning. But if I build something or write some code, I’m more likely to understand how it works and why. […]
The guitar ‘Toing’ sound from the ’70s was epic, and for the first time listener it was enough to get a bunch of people hooked to the likes of Aerosmith. Reverb units were all the rage back then, and for his DSP class project, [nebk] creates a reverb filter using Matlab and ports it to […]
Field recorders, or backpackable audio recorders with a few XLR jacks and an SD card slot, are a niche device, and no matter what commercial field recorder you choose you’ll always compromise on what features you want versus what features you’ll get. [Ben Biles] didn’t feel like compromising so he built his own multichannel audio […]